The authors live on MUBI, the independent film platform and not only, also in November offers a varied programming with the arrival of titles recently brought in the rooms by the same MUBI. In the midst of all this the Curse, Showtime miniseries produced by A24 (passed for Paramount+ in Italy) with Emma Stone and Nathan Fielder, available from November 19, at the center a couple of spouses and a curse that spoils their existence.
(L-R): Nathan Fielder as Asher and Emma Stone as Whitney in THE CURSE, Season 1. Photo Credit: Beth Garrabrant/A24/Paramount+ with SHOWTIME.
MUBI le novità di Novembre
On November 1st, Musicas, at the heart of the story of Mujeres of Viento Florido, is an entirely feminine philharmonic ensemble that brings together musicians from over 60 indigenous communities in Mexico. Challenged prejudices rooted in the centuries and a long-running musical tradition dominated by men, the group brings the vitality and joy of Mexican popular music from the mountains of Oaxaca to Mexico City. The 6th comes Making Marie Antoinette by Eleanor Coppola documentary on the realization of Sofia Coppola’s film.
On November 27th will be the turn of Her Private Hell, a crazy author of Nicolas Winding Refn. A strange haze pours on a futuristic metropolis and a left figure, known as Leatherman, begins to wander through its streets. Elle, a rising movie star, meets an American soldier looking for his daughter. Their lives begin to woven into the shadows.
Le collezioni
The cinema of Marx and Coca-Cola: Jean Luc Godard in the 1960s, a retrospective on the director with the arrival from 1st Band to Part and La Cina. Quinto Potere and Toro Scatenato come from 6 to enrich a retrospective on the New Hollywood that marked the moment when the studios cinema stopped reassureing the public, instead starting to make it explode the neuroses. Traditional narrative genres have ceased to be vent valves, turning into scalpels ready to dissect a country in full identity crisis.
Let’s Go Get Lost is a collection dedicated to films that tell stories of physical, temporal and moral disorientation. They are works in which the drift becomes the only way to get rid of all certainty, forcing the protagonists, and with them the viewer, to wander through hostile landscapes, claustrophobic spaces and inner topography to the point of no return. From 13 come Beanpole di Kantemir Balagov, Embrace of the Serpent di Ciro Guerra e High Life di Claire Denis.
Article MUBI, the programming of November: Making Marie Antoinette, Her Private Hell comes from Dituttounpop.it.
